Entry with a paper ticket only.
On the performance day, follow the ticket-wallet instructions and exchange for a paper ticket at the collection point.
Bring a valid identity document. The venue recommends collecting or exchanging tickets within the 60 minutes before the performance; allow time for security checks. Its arrival guidance recommends coming 60 minutes before the performance.
Children under 1.2 m are not admitted; children over 1.2 m need an adult ticket.
The venue recommends wearing a mask throughout your visit. Do not eat or drink in the hall or walk around during the performance. Leave in an orderly manner afterwards without crowding or lingering.
Do not give flowers to the artist or bring flowers into the hall. Food, drinks, professional recording equipment, knives and lighters are prohibited. Follow staff instructions and announcements.
Check your chosen performance before purchase. The venue states that tickets for a performance missed for personal reasons cannot be refunded or exchanged, and lost tickets cannot be replaced.
Cloakrooms are in the corridors on each floor.
There is an interval after Bach’s Cello Suite No. 6, BWV 1012.
Booking requires one identity document per order. Accepted documents: Chinese identity card; passport; Mainland Travel Permit for Hong Kong and Macao Residents; Mainland Travel Permit for Taiwan Residents; military officer identity card; Residence Permit for Hong Kong, Macao and Taiwan Residents; Foreign Permanent Resident Identity Card.
Li-Wei Qin pairs the architecture of Bach with Bright Sheng’s vivid music for solo cello.
Bach’s Cello Suites Nos. 1, 6 and 3 frame selections from Seven Tunes Heard in China: Seasons, Little Cabbage and Tibetan Dance. The programme explores the unaccompanied cello through dance forms and Chinese folk melodies.
- Cello Suite No. 1 in G major, BWV 1007
- Cello Suite No. 6 in D major, BWV 1012
- Seven Tunes Heard in China: I, III and VII
- Cello Suite No. 3 in C major, BWV 1009