Oslo Opera House tickets 19 December 2026 - Gerald Finley at the Oslo Opera House | GoComGo.com

Gerald Finley at the Oslo Opera House

Oslo Opera House, Main Stage, Oslo, Norway
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6 PM
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US$ 88

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Concert
City: Oslo, Norway
Starts at: 18:00
Duration: 2h

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Baritone: Gerald Finley
Overview

A Festive Evening with Gerald Finley
When Gerald Finley last visited the Oslo Opera House, it resulted in a cascade of awards for the recording of The Flying Dutchman. Now the bass-baritone returns, presenting an atmospheric Christmas concert featuring selected lieder by Schumann, Grieg and Barber.

Concert Program

Robert Schumann :
Lean your cheek against my cheek: Op. 142, No. 2  
My love shines: Op. 127, No. 3  
Your face: Op. 127, No. 2  
My carriage rolls slowly: Op. 142, No. 4 

Dichterliebe, Op. 48
In the beautiful month of May  
From my tears spring  
The rose, the lily, the dove, the sun  
When I look into your eyes  
I want to immerse my soul  
In the Rhine, in the holy stream  
I bear no grudge  
And if the little flowers knew  
It is a flute and  
violin When I hear the little song ringing  
A youth loves a maiden  
On a bright summer morning  
I have wept in my dream  
Every night in my dream  
From old fairy tales it beckons  
The old, wicked songs  

Edvard Grieg:
From Six Songs Op. 48 Greeting Once Upon a Time, Thought My Course of the World At Rose Time A Dream 
Samuel Barber:

Songs 
There’s nae lark 
Nocturne
Rain Has Fallen 
Sleep Now 
I Hear an Army  

Charles Ives: Christmas Carol
Benjamin Britten: I wonder as I wander
Trad.: Delilig er er erden
Irving Berlin: White Christmas

The internationally acclaimed opera star Gerald Finley gives his first solo recital in Norway. To set the Christmas mood, the programme includes beloved favourites such as Deilig er jorden, Christmas Carol and Benjamin Britten’s I Wonder as I Wander. 

Much of the concert is devoted to the art form for which Finley is particularly renowned: the lied. 

A critically acclaimed interpreter of lieder 
Since its release in 2008, the recording of Robert Schumann’s Dichterliebe with Gerald Finley and pianist Julius Drake has received glowing international reviews. The duo were praised for their “glorious Schumann recital”, and their collaboration is frequently highlighted as exceptionally fruitful. 

With this as a point of departure, the evening opens with Schumann’s iconic musical setting of Heinrich Heine’s poetry. The powerful extremes between elation and despair in Heine’s verse inspired Schumann to compose some of his most moving and unforgettable songs. 

Edvard Grieg’s German lieder 
The programme also includes Edvard Grieg’s German lieder – works that place the composer firmly within a German-oriented lied tradition closely related to Schumann. Grieg himself sought to free himself from the role of a purely national Romantic composer, viewing these songs as part of a broader, more international musical expression. Here, too, we encounter Heinrich Heine’s poetry, alongside texts by Goethe and other central figures of German literature. 

Samuel Barber and James Joyce 
The American composer Samuel Barber is best known for Adagio for Strings, one of the most beloved orchestral works of the 20th century. He is also regarded as one of the foremost composers of art songs of his time. At a period when much contemporary music was turning toward the experimental, Barber developed a musical language closely aligned with poetry and lyricism. This is particularly evident in his songs set to texts by James Joyce. In Rain Has Fallen, Sleep Now and I Hear an Army, music and poetry are intricately interwoven, spanning a wide emotional range – from quiet, intimate reflection to intense dramatic power. 

 

Venue Info

Oslo Opera House - Oslo
Location   Kirsten Flagstads Plass 1

The Oslo Opera House is the home of The Norwegian National Opera and Ballet, and the national opera theatre in Norway. The building is situated in the Bjørvika neighbourhood of central Oslo, at the head of the Oslofjord. It is operated by Statsbygg, the government agency which manages property for the Norwegian government. The structure contains 1,100 rooms in a total area of 38,500 m2 (414,000 sq ft). The main auditorium seats 1,364 and two other performance spaces can seat 200 and 400. The main stage is 16 m (52 ft) wide and 40 m (130 ft) deep. The angled exterior surfaces of the building are covered with marble from Carrara, Italy and white granite and make it appear to rise from the water. It is the largest cultural building constructed in Norway since Nidarosdomen was completed circa 1300.

In 1999, after a long national debate, the Norwegian legislature decided to construct a new opera house in the city. A design competition was held and, of the 350 entries received, the judges chose that of Snøhetta. Construction started in 2003 and was completed in 2007, ahead of schedule and 300 million NOK (~US$52 million) under its budget of 4.4 billion NOK (~US$760 million). The gala opening on 12 April 2008 was attended by His Majesty King Harald, Queen Margrethe II of Denmark and President Tarja Halonen of Finland and other leaders. During the first year of operation, 1.3 million people passed through the building's doors.

The Opera House won the culture award at the World Architecture Festival in Barcelona in October 2008 and the 2009 European Union Prize for Contemporary Architecture.

The roof of the building angles to ground level, creating a large plaza that invites pedestrians to walk up and enjoy the panoramic views of Oslo. While much of the building is covered in white granite and La Facciata, a white Italian carrara marble, the stage tower is clad in white aluminium, in a design by Løvaas & Wagle that evokes old weaving patterns.

The lobby is surrounded by 15 m (49 ft) tall windows with minimal framing and special glass that allows maximum views of the water. The roof is supported by thin angled columns also designed not to interfere with views.

Interior surfaces are covered in oak to bring warmth to spaces in contrast to the coolness of the white exterior. The main auditorium is a horseshoe shape and illuminated by an oval chandelier containing 5,800 handmade crystals. Seats include monitors for the electronic libretto system, allowing audiences to follow opera libretti in Norwegian and English in addition to the original language.

Several art projects were commissioned for the interior and exterior of the Opera House. The most notable is She Lies, a sculpture constructed of stainless steel and glass panels by Monica Bonvicini. It is permanently installed on a concrete platform in the fjord adjacent to Opera House and floats on the water moving in response to tides and wind to create an ever-changing face to viewers. The work was unveiled by Her Majesty Queen Sonja on 11 May 2010.

A perforated wall panel which covers roof supports in the lobby was designed by Olafur Eliasson. It features hexagonal opening and is illuminated from below and behind to create the illusion of melting ice. Other artists involved in the construction include Kristian Blystad, Jorunn Sannes and Kalle Grude, who designed the shape of the pavers on the forecourt and roof; Bodil Furu and Trine Lise Nedreaas, who created a film and video project; Marte Aas, Talleiv Taro Manum, Tom Sandberg, Gerd Tinglum and Nina Witoszek Fitzpatrick, who created the art book Site Seeing; and Linus Elmes and Ludvig Löfgren, who created the foundation stone.

The main stage curtain is the work of Pae White who designed it to look like crumpled aluminum foil. White scanned a crumpled piece of foil into a computer which translated the information to a loom that wove the curtain from wool, cotton and polyester to create a three-dimensional effect. The curtain was manufactured by the German-based theatrical equipment company Gerriets GmbH. The finished curtain measures 74 ft (23 m) wide and 36 ft (11 m) and weighs 1,100 lb (500 kg).

Important Info
Type: Concert
City: Oslo, Norway
Starts at: 18:00
Duration: 2h
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