War Memorial Opera House 15 October 2022 - Dialogues of the Carmelites | GoComGo.com

Dialogues of the Carmelites

War Memorial Opera House, San Francisco, USA
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7:30 PM
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Important Info
Type: Opera
City: San Francisco, USA
Starts at: 19:30
Acts: 3
Intervals: 1
Duration: 3h 6min
Sung in: French
Titles in: English

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Overview

To live in fear—or die in faith. Outside, scaffolds rise in city squares as priests, nobles, and political prisoners face the merciless blade of the guillotine. The aristocrat Blanche de la Force had hoped the convent would serve as a sanctuary. But now, death is at the sisters' doorstep. And one by one, their faith will be tested.

Francis Poulenc’s profound drama returns to San Francisco in honor of the Company’s U.S. premiere of the work in 1957. Olivier Py’s award-winning staging pairs striking tableaus with Poulenc’s haunting, poetic score conducted by Music Director Eun Sun Kim.

Co-production of Théâtre des Champs-Elysées and Théâtre Royal de la Monnaie, Bruxelles

History
Premiere of this production: 26 January 1957, La Scala, Milan (in Italian)

Dialogues des Carmélites (Dialogues of the Carmelites) is an opera in three acts, divided into twelve scenes with linking orchestral interludes, with music and libretto by Francis Poulenc, completed in 1956. The composer's second opera, Poulenc wrote the libretto after the work of the same name by Georges Bernanos. The opera tells a fictionalised version of the story of the Martyrs of Compiègne, Carmelite nuns who, in 1794 during the closing days of the Reign of Terror during the French Revolution, were guillotined in Paris for refusing to renounce their vocation.

Synopsis

Place: Paris and Compiègne, 1789–94
Time: during the French Revolution
Act 1
Against the setting of the French Revolution, when crowds stop carriages in the street and aristocrats are attacked, the pathologically timid Blanche de la Force decides to retreat from the world and enter a Carmelite convent. The Mother Superior informs her that the Carmelite Order is not a refuge; it is the duty of the nuns to guard the Order, not the other way around. In the convent, the chatterbox Sister Constance tells Blanche (to her consternation) that she has had a dream that the two of them will die young together. The prioress, who is dying, commits Blanche to the care of Mother Marie. The Mother Superior passes away in great agony, shouting in her delirium that despite her long years of service to God, He has abandoned her. Blanche and Mother Marie, who witness her death, are shaken.

Act 2
Sister Constance remarks to Blanche that the prioress' death seemed unworthy of her, and speculates that she had been given the wrong death, as one might be given the wrong coat in a cloakroom. She said that perhaps someone else will find death surprisingly easy. Perhaps we die not for ourselves alone, but for each other.

Blanche's brother, the Chevalier de la Force, arrives to announce that their father thinks Blanche should withdraw from the convent, since she is not safe there (being both an aristocrat and the member of a religious community, at a time of anti-aristocracy and anti-clericalism in the rising revolutionary tides). Blanche refuses, saying that she has found happiness in the Carmelite Order. Later she admits to Mother Marie that it is fear (or the fear of fear itself, as the Chevalier expresses it) that keeps her from leaving.

The chaplain announces that he has been forbidden to preach (presumably for being a non-juror under the Civil Constitution of the Clergy). The nuns remark on how fear rules the country, and no one has the courage to stand up for the priests. Sister Constance asks, "Are there no men left to come to the aid of the country?" "When priests are lacking, martyrs are superabundant," replies the new Mother Superior. Mother Marie says that the Carmelites can save France by giving their lives, but the Mother Superior corrects her: it is not permitted to choose to become a martyr; God decides who will be martyred.

A police officer arrives and announces to the community that the Legislative Assembly has nationalized the convent and its property, and the nuns must give up their religious habits. When Mother Marie acquiesces, the officer taunts her for being eager to dress like everyone else. She replies that the nuns will continue to serve, no matter how they are dressed. "The people have no need of servants," proclaims the officer haughtily. "No, but they have a great need for martyrs," responds Mother Marie. "In times like these, death is nothing," he says. "Life is nothing," she answers, "when it is so debased."

Act 3
In the absence of the new prioress, Mother Marie proposes that the nuns take a vow of martyrdom. However, all must agree, or Mother Marie will not insist. A secret vote is held; there is one dissenting voice. Sister Constance declares that she was the dissenter, and that she has changed her mind, so the vow can proceed. Blanche runs away from the convent, and Mother Marie goes to look for her, finding her in her father's library. Her father has been guillotined, and Blanche has been forced to serve her former servants.

The nuns are all arrested and condemned to death, but Mother Marie is away at the time of the arrest. Upon receiving the news, the chaplain tells Mother Marie, when they meet again, that since God has chosen to spare her, she cannot voluntarily become a martyr by joining the others in prison.

At the place of execution, one nun after another stands and slowly processes toward the guillotine, as all sing the "Salve Regina" ("Hail, Holy Queen"). At the last moment, Blanche appears, to Constance's joy, to join her condemned sisters. Having seen all the other nuns executed, as she mounts the scaffold, Blanche sings the final stanza of the "Veni Creator Spiritus," "Deo Patri sit gloria...", the Catholic hymn traditionally used when taking vows in a religious community and offering one's life to God.

Venue Info

War Memorial Opera House - San Francisco
Location   301 Van Ness Avenue

Home of the San Francisco Opera and San Francisco Ballet, the War Memorial Opera House opened in 1932 with TIME magazine declaring it “…a house made possible by all the people of San Francisco.”

Designed by Arthur Brown, Jr., the prominent American architect who also created San Francisco City Hall, this cultural landmark is one of the last Beaux-Arts structures built in the United States. Today, the stately building is host to a variety of events. In addition to our resident company opera and ballet performances, the 3006-seat auditorium may be available for lectures, classical concerts, recitals, and other performances that can be installed within an existing production.

With its ornate features and 38-foot ceiling, the grand Main Lobby makes an unforgettable setting for elegant cocktail receptions and sit-down dinners. The War Memorial Opera House is one of the Bay Area’s most sought-after and unique venues, offering modern technology and the ambiance of old-world theaters.

Important Info
Type: Opera
City: San Francisco, USA
Starts at: 19:30
Acts: 3
Intervals: 1
Duration: 3h 6min
Sung in: French
Titles in: English
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